When I was eleven years old, a friend of my parents gave me Diane Wakoski’s 1968 poetry collection, Inside the Blood Factory. Needless to say, the poems were far over my head, but some of the lines stood out to me, even at that young age—from “House of the Heart:” “The sun is being born / with… Continue reading Diane Wakoski: An Appreciation
Category: The Creative Process
The Danger of Notebooks
“A journal always conceals vastly more than it reveals.” – Verlyn Klinkenborg, The Rural Life In “Notes on the Danger of Notebooks,” an essay in Synthesizing Gravity, Kay Ryan writes, “Isn’t it odd to think that in order to listen we must be a little bit relieved of the intention to understand? This, of course, is the… Continue reading The Danger of Notebooks
The Emotional Stages of Writing a Poem
I just finished writing a poem, and I’m worn out. For days I walked around in that weird stage I call “pre-poem anxiety,” which feels almost like a period of mourning: what the hell have I been doing with my time, not writing a poem? I’m plagued with morbid thoughts: what if I died tomorrow… Continue reading The Emotional Stages of Writing a Poem
Should You Show Your Work?
Numbered tiles If you’re a writer, artist, musician or other creative, how do you get noticed? Is it enough to be good? How will people find you? One way that’s become popular in the age of the Internet is to send out bits and pieces of your creative process, sharing the project as you work… Continue reading Should You Show Your Work?
What’s Wrong with Inspiration?
Plenty, it seems. Ask any writer who’s been at the craft for awhile what inspires her and you might get this pithy answer: everything. Or nothing—“I don’t need inspiration,” says the truly advanced writer. “I can write a poem, or a story, or an essay, just by staring at the wall.” I tell my students a version… Continue reading What’s Wrong with Inspiration?
The Paradox of “Daisies” by Louise Glück
When I first encountered Louise Glück’s poetry, I was trying very hard to make a garden out of an overgrown and neglected patch of forest behind my house. Redwoods shaded the area for most of the year, and when the sun finally rose high enough to shine over the trees in summer, its heat dried… Continue reading The Paradox of “Daisies” by Louise Glück
You Are a Work of Art
Yesterday, I decided to play The Bookstore Game at home. Due to Oregon’s coronavirus shelter-in-place order, I haven’t been to an actual bookstore or library since March 10, when Claire Graman and I gave our presentation for Women’s History Month at the Eugene Public Library. I realize that plenty of people, perhaps the majority, don’t… Continue reading You Are a Work of Art
New Year’s Resolutions
Happy New Year’s Day 2020! I decided to make a list of things I’d like to accomplish in my writing life this year. I’ll revisit the list in December and see how I did. Erica’s 2020 New Year’s Resolutions: Finish something big by the end of 2020. I have two big projects I’m working on… Continue reading New Year’s Resolutions
How I Banish Writer’s Block
I like to tell my friends that I never, ever have writer’s block, and yes, I rarely have the full-blown version. I do, however, experience creative slowdowns, periods where I produce less work than I’d like, or my ideas seem stale, or I feel a lack of interest in writing. This is more dangerous than… Continue reading How I Banish Writer’s Block
Chop Wood, Carry Water: Publishing a First Poetry Book After Fifty
I asked writers who’d published their first books of poetry at or beyond the age of fifty to discuss their experiences. Was there any particular reason they’d waited to publish? Did they think there was an advantage to publishing later in life? How had publishing a first book changed their lives? The responses from over… Continue reading Chop Wood, Carry Water: Publishing a First Poetry Book After Fifty