Poet, Writer, Instructor
I was reading my Christmas present, The Letters of Sylvia Plath, Volume 2: 1956-1963, when I came across a mention of syllabic verse. Plath’s poem “Mussel-Hunter at Rock Harbor” is written in stanzas of seven lines, each line containing seven syllables. In a letter to her brother Warren, dated June 11, 1958, she writes about the … Continue reading Syllabic Verse
Two of the books I received for review consideration in 2018 came from poets who live and write in the Mojave Desert of southeastern California: Starshine Road by L.I. Henley, and Waking Life by Cynthia Anderson. Henley writes of growing up in the Mojave, of walking down dirt roads as a child past a house filled … Continue reading The Poetry of Place
Here are the covers of the twenty-five books I reviewed for the first year of Sticks & Stones. As you can see, the covers make a lovely collage, and each one reveals something about the poems inside. Every one of these books was an adventure, a chance to delve deeply into a poet’s world, and … Continue reading Sticks & Stones: The First Year
In October of this year, my almost-brand-new Instagram account was hacked, starting a long chain of unpleasant events that included stolen passwords, barrages of phishing emails, my inadvertent deleting of my entire hard drive (I got it back, thanks to the Cloud) and weeks of stress and paranoia. At the end of this awful experience, … Continue reading Haiku Book Leads to Hack
In October, I was happily writing a poem about gardening, when it took a sudden turn and revealed its true topic: the calamity of immigrant children held in cages at the US/Mexico Border. That day, I posted “For some reason my nature poems keep turning into political poems” to my Facebook page. In her essay … Continue reading Politics, Theme and Poetry
I recently picked up a copy of Pages, the Creative Guide for Art Journaling & Bookmaking. Illustrated journaling is one of my hobbies, and I was drawn to the project on the magazine’s cover (“mini ZINES create your own!”) At the end of the magazine, I found the article “Gathering Your Story Elements,” by Jeanne … Continue reading Storyboards for Creative Writing
After attending the Oregon Poetry Association’s 2018 conference, I’ve been thinking about what makes a good conference. I’ve attended many, from small events put on by a few dedicated volunteers to big noisy affairs (AWP comes to mind). What struck me most about the OPA conference was its collegial, non-competitive atmosphere. It was a pleasure … Continue reading The 2018 Oregon Poetry Association Annual Conference, September 29-30, Eugene, OR
I just received the proof from Lulu of my first self-published book, titled STONE empty chair. It’s a collection of my best haiku, starting about ten years ago and ending in August, 2018. It’s a little book full of little poems – just 6.5 x 4.5, with 50-odd haiku, in four chapters: Winter, Spring, Summer … Continue reading STONE, empty chair: Erica’s new haiku collection
A couple of times a year, I search my submission spreadsheets for poems with the dubious distinction of having collected the most rejections so far. If these poems are not currently under consideration for publication, they go into a special category: Most Rejected Poems.Then I print them out and spread them on the floor of … Continue reading Saving the Most-Rejected Poems
Right now, hundreds of fires are burning in the Western United States. The air in Washington and Oregon is the worst in the nation. Every morning, the sun shines an eerie bronze light over the land. The sky over Eugene, Oregon, where I live, reminds me of the smog-choked summers of my youth in Southern … Continue reading Fire Season
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